@Feddel · 427 downloads ·
Mic Input set to LoZ
Aspen Community
Share, discover, and download transfer function curves and plugin presets.
@UnKnoWn · 251 downloads ·
Fibonacci polynomials based curve, blend parameter morph between odd and even
@UnKnoWn · 318 downloads ·
Saturation with env follower on hysteresis, you can blend between cubic and quintic curves
@UnKnoWn · 358 downloads ·
Nice dynamic saturation curve based on captures from analog obsession's TUBA VST plugin. Play with input gain can squash the sound in a really good way !
@UnKnoWn · 434 downloads ·
Cool asymetrical compression using a capture from ableton's vinyl distortion plugin, use env. rise and fall parameters to control attack and decay
@Astrobear · 368 downloads ·
Edit the colorbox hardware snapshots and enable surge clipping to model the stateful behavior seen in the JHS colorbox.
@RageEuphoria · 321 downloads ·
use a sine as input and used the jno wavtable as output. first time punblishing
@zvukofor · 425 downloads ·
A snashot of the Ordinary Magic Strawberry Fields hardware saturation circuit by Zvukofor Sound Labs. Use SCAN knob to tune assymetry/harmonics balance.
@zvukofor · 374 downloads ·
A snashot of the Ordinary Magic Strawberry Fields hardware saturation circuit by Zvukofor Sound Labs. Use SCAN knob to tune the actual saturation of the captured model. For the versatility use a DC-offset plugin before input to fine-tune the behavior.
@Astrobear · 340 downloads ·
Animating the spline anchors and modulating with an lfo
@BuffaloSupernova · 469 downloads ·
Slowly modulated harmonics wiggling around add a constantly evolving wavefolder. It's aliiiiiiiveeee!
@BuffaloSupernova · 363 downloads ·
Modulating the harmonics and one of the lanes has the splines modulating
@SeanMatts · 393 downloads ·
TURN OUTPUT LEVEL TO -15db IF IT'S AT 0 Level - 12 o'clock Shape & Bend Maxed out middle position switch gain at 9 o'clock Glare at 1-2 o'clock Edited in Post to be even meaner
@BuffaloSupernova · 579 downloads ·
Uses the envelope follower to apply a nonlinear pseudo-compression. Based off the nonlinear compressor (really envelope follower) but uses the distressor curves. Not really based on the distressor compression dynamics (no threshold, no ratio, different attack/release dynamic)s but uses the distressor captures combined with the envelope follower.
@BuffaloSupernova · 451 downloads ·
Based on the nonlinear compressor but does the opposite. Uses the envelope follower to apply a nonlinear expansion. Rather than controlling the volume directly the envelope modifies the nonlinear transfer function to apply more or less loudness/saturation. When the envelope is low the transfer function is linear (low gain/saturation applied to quiet signals), when the evelope increases the curve is pushed towards a a heavy tanh saturation. So quiet signals are unsaturated and loud signals get saturated.
@BuffaloSupernova · 413 downloads ·
Based off nonlinear compressor but using assymetric shapes. Uses the envelope follower to apply a nonlinear pseudo-compression. Rather than controlling the volume directly the envelope modifies the nonlinear transfer function to apply more or less loudness/saturation. When the envelope is low a heavy tanh saturation is applied (which is like having a good ammount of gain going into the nonlinear compressor), when the evelope increases the curve is pushed down to a linear transfer function decreasing the loudness and the harmonics generated. Thus, transients get the most clipping applied (high gain into the saturation prior to the envelope closing) - quiet parts of the signal get louder (low gain into the linear part of tanh brings up the volume) - loud sustained signals get less saturation (the transfer function goes towards a linear curve for sustained sounds - so their loudness is compressed).