@br0k3nf1ng3r · 23 downloads ·
Trash 2 > Distort **If you know how to pull this off better, please do not hesitate
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Share, discover, and download transfer function curves and plugin presets.
@zvukofor · 68 downloads ·
A snashot of the Ordinary Magic Bee Jelly hardware saturation circuit by Zvukofor Sound Labs. Use SCAN knob to tune assymetry/harmonics balance.
@UnKnoWn · 167 downloads ·
Saturation with env follower on hysteresis, you can blend between cubic and quintic curves
@UnKnoWn · 223 downloads ·
Cool asymetrical compression using a capture from ableton's vinyl distortion plugin, use env. rise and fall parameters to control attack and decay
@DEFCON · 200 downloads ·
WALKMAN D6C TAPE SATURATION GOODNESS enjoy xD
@Astrobear · 217 downloads ·
Edit the colorbox hardware snapshots and enable surge clipping to model the stateful behavior seen in the JHS colorbox.
@RageEuphoria · 180 downloads ·
use a sine as input and used the jno wavtable as output. first time punblishing
@zvukofor · 240 downloads ·
A snashot of the Ordinary Magic Strawberry Fields hardware saturation circuit by Zvukofor Sound Labs. Use SCAN knob to tune assymetry/harmonics balance.
@zvukofor · 211 downloads ·
A snashot of the Ordinary Magic Strawberry Fields hardware saturation circuit by Zvukofor Sound Labs. Use SCAN knob to tune the actual saturation of the captured model. For the versatility use a DC-offset plugin before input to fine-tune the behavior.
@BuffaloSupernova · 325 downloads ·
Uses the envelope follower to apply a nonlinear pseudo-compression. Based off the nonlinear compressor (really envelope follower) but uses the distressor curves. Not really based on the distressor compression dynamics (no threshold, no ratio, different attack/release dynamic)s but uses the distressor captures combined with the envelope follower.
@BuffaloSupernova · 254 downloads ·
Based off nonlinear compressor but using assymetric shapes. Uses the envelope follower to apply a nonlinear pseudo-compression. Rather than controlling the volume directly the envelope modifies the nonlinear transfer function to apply more or less loudness/saturation. When the envelope is low a heavy tanh saturation is applied (which is like having a good ammount of gain going into the nonlinear compressor), when the evelope increases the curve is pushed down to a linear transfer function decreasing the loudness and the harmonics generated. Thus, transients get the most clipping applied (high gain into the saturation prior to the envelope closing) - quiet parts of the signal get louder (low gain into the linear part of tanh brings up the volume) - loud sustained signals get less saturation (the transfer function goes towards a linear curve for sustained sounds - so their loudness is compressed).